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The brass and percussion adamantly declare a halt with a powerful final cadence. The closing section of the third movement utilizes the combined themes while the woodwinds amplify the incessant chattering of the first movement. The duet theme, along with thematic material from the opening movement, provides the basic material for the remainder of the movement. The second movement opens with an imitative duet between alto saxophone and cornet, accompanied by a repeated chord figure. The second and third movements develop and expand their thematic material in some of the most memorable contrapuntal writing for winds. The first movement is in sonata allegro form in three sections, with the recapitulation economically utilizing both themes together in strong counterpoint. His melodies develop ever-expanding lines, and his skill in the organization and utilization of complex rhythmic variation adds spice and zest to the strength of his melodies. The three-movement symphony shows Hindemith’s great contrapuntal skill, and the organized logic of his thematic material. The Symphony in B-flat for Concert Band by Paul Hindemith was composed at the request of Lt Col Hugh Curry, leader of the United States Army Band, and had its première in Washington, D.C., on 5th April, 1951, with the composer conducting. Please see The Clarice's health and safety page for the most up-to-date information about attendance. There may be COVID-19 safety policies in place, such as mask requirements, when you attend this event.
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Health & Safety for In-Person Attendance: This season’s engaging performances will feature faculty soloists and world premieres of new works and masterworks of the 20th and 21st centuries. Led by Michael Votta, Jr., UMWO is a leading voice among collegiate ensembles in premiering new works for winds. Bach's “Contrapunctus XIX” from The Art of the Fugue and Brahms' Chorale Preludes will no longer be performed and have been replaced by Paul Hindemith's Symphony in B-flat for Band. Paul Hindemith: Symphony in B-flat for Band
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2 for Solo Violin (arr. Michael Votta, Jr.) This work features four corresponding movements titled “Offering to the Sun,” “Among the Aspens,” “The Vanishing Race” and “Dancing to Restore an Eclipsed Moon.” The concert will also include pieces by J.S. A concerto for brass quintet, Eric Ewazen’s Shadowcatcher was inspired by four of these photographs that focus on the Tewa, Chippewa, Navajo and Kwakiutl nations. Known as “Shadow Catcher” by some of the Native Americans that he photographed in the early 1900s, Edward Curtis took more than 40,000 images documenting the daily lives and traditions of over 80 tribes across North America.